Katrin Ströbel

HOW TO DRAW WHILE THE WORLD IS ON FIRE, exhibition view Vidéochroniques, Marseille, 2026

Ghost, cut out, graphite on paper, 2025

How to dance on ruins, cut out, graphite on paper, 2025

manifesto, ink and graphite on paper, 2025

how to dance on ruins II, drawings on paper, wood, 2025/2026

eyes, cut out, graphite on paper, 2025

remains, aquarelle, graphite and ink on cotton, 2025

How to (scars), ink, aquarelle on paper, inkjet impressions, 2025

lid, cut out, graphite in paper, 2026

djinns, amongst others, aquarelle, ink and graphite on paper, 2025

petite view, aquarelle, graphite and ink on cotton, 2025

petite vie, aquarelle, graphite and ink on cotton, 2025

BEBEN UND SCHIMMERN, exhibition view, Galerie Stihl, Waiblingen, 2023

mother and other, silk screen based walldrawing, drawings and collages of Katrin Ströbel and her daughter Ayo, 2023

dix doigts d’amour, drawing, collage, 2023

Plejaden (Is flying controlled falling or falling
a mode of flying?), walldrawing, 2023

Gepardin, drawing, 2020

I come in peace, wall drawing, 2023, don’t say she’s not like that, series of drawings, 2010

exhibition view

Ile de Goree, digitalized drawing, fans, 2010

Pas de deux, walldrawing, drawings and collages of Katrin Ströbel and her partner Mohammed Laouli, 2023

Plejaden, wallpaper, 2022, series of works including body suit 1-3, permanent marker on textile, 2022, Body Politics I (manifestation), collage, 2016, Handfüßer, collage, 2019, Die Zeichnerin (nach Dürer), drawing, 2023

Little death, collage, drawing, 2018

Die Zeichnerin (nach Dürer), drawing, 2023

Wenn man dienen kann, Drawing, ink and c-print on paper, 2015, Inherited Shame, 18 ink drawings, 2012

BE LIKE A MANGROVES SHE SAID, exhibition view, Les Brasseurs - art contemporain, Liège, 2020

Les confiné.es, installation view, 2020

vos premiers dix mots, video, 2020

Les confiné.es. Becoming sculpture. Undoing sculpture (upsidedown & Schatten), collages, 2020

Les confiné.es. Becoming sculpture. Undoing sculpture, collages, series of 40, 2020

Les confiné.es. Becoming sculpture. Undoing sculpture (combattante & waiting), collages, 2020

vos premiers dix mots, video, 2020

tools and weapons, plaster, potatoes, 2020

Be like a mangrove she said, video 2020

Mangroves and war zones, series of drawings, 2020

Les confiné.es, installation view, 2020

VOM BERÜHREN UND BEGREIFEN, site specific work for the permanent collection, Kunstmuseum Stuttgart, 2021

museum staff encounters

revealing staff fingerprints with charcoal powder

installation view

Killesberg camp, aquarelle and graphite on paper

goumier, aquarelle and graphite on paper

installation view

Geissstrasse, aquarelle and graphite on paper

Dix, aquarelle and graphite on paper

HISTOIRE.S DE L’ŒIL, exhibition view, Musée d’Art Moderne et d’Art Contemporain Nice, 2021

And then we started a revolution of desire, walldrawing, 2021

On fire, walldrawing, 2021, Die Last des Anderen, c-print on cotton, 2021
Right: Robert Malaval: Bernadette Laffont dans le rôle de Caligula,1967

Les confiné.es. Becoming Sculpture. Undoing sculpture (lächeln), collage, series of 40, 2020

Les confiné.es. Becoming Sculpture. Undoing sculpture, collages, series of 40, 2020

Les confiné.es. Becoming Sculpture. Undoing sculpture (Schatten), collage, series of 40, 2020

Les confiné.es. Becoming Sculpture. Undoing sculpture (Boxer), collage, series of 40, 2020

Body Politics IV (Torso), collage, 2020, a greek model, c-print on cotton, 2021
Right: Julião Sarmento: Marlene,2006

Body Politics IV (Torso), collage, drawing, 2016

On fire, walldrawing, 2021, Die Feuerspeiende, walldrawing, 2021

Body Politics III (investigations), collage, drawing, 2016

Body Politics III (investigations), collage, drawing, 2016
Left: Pierre Klossowski: L’appréhension de Roberte, 1982

VON DER ZUVERLÄSSIGKEIT DES FRAGMENTS, exhibition view, Kunstverein Pforzheim, 2019

Hands of War, silkscreen on cotton, detail, 2019

exhibition view with Hands of War, Kunstverein Pforzheim, 2019

Hands of War, ink tainted gloves, detail, 2019

Hands of War, tainted plaster, detail, 2019

exhibition view, Kunstverein Pforzheim, 2019

Hands of War II, silkscreen and print on wood and cotton, 2019

Exhibition view with Chicago, photograph, series of 3, 2019, Himmelsturz, installation, 2019 and Torso der großen Sinnenden, 1913 by Wilhelm Lehmbruck

Exhibition view with Himmelsturz, installation, 2019 and Wohl dem, der nichts ahnt, embroided text on flour bags, 2014

Wohl dem, der nichts ahnt, embroided text on flour bags, 2014

Ni le mal ni le bien, cardboard, wood, 2008

Casablanca decalé (Source du Lion), drawing, 2015,

Gimme Shelter, monotype, 2016, Shelter, coat made of painted canvas, 2017

ALL WELCOME ALL MERCY, exhibition view, Espace de l’Art concret - centre d’art contemporain d’intérêt national, Mouans Sartoux, 2018/2019

Täglich Brot I, photograph, 2018

Wandelnde Blätter [Gespenstschrecken] or other failed attempts
of cultural appropriation, photograph, series of 5, 2018

Casablanca decalé (Washington), drawing, 2015, marassa je demande si tu es content de ce que tu vois là, wall drawing, 2018

Täglich Brot II, photograph, 2018

Dadamaino’s secret garden, wall paper, photographs, drawings and works from
the permanent collection (Aurelie Nemours, Marcel Breuer, Dadamaino), 2018

Dadamaino’s secret garden, wall paper (detail), 2018

Lèvre je te baise encore, grafitto, photograph, 2018

Wandelnde Blätter [Gespenstschrecken] or other failed attempts
of cultural appropriation, photograph, series of 5, 2018

(De)colonizing Eames, photograph, 2018, jardin des poètes, c-print on cotton, 2018

(De)colonizing Eames, photograph, 2018

Sculpture (nubienne), drawing, collage, 2015

installation view with works by Katrin Ströbel and Plan pyramidal, 1983 by Aurelie Nemours

Täglich Brot III, installation, 2018, Petite Alsacienne, aquarelle, collage, 2015

Petite alsacienne, collage, drawing, 2015

HYPERDRAWING - a dialogue between Boryana Petkova and Katrin Ströbel, Frac Picardie, Amiens, 2022

Lorem Ipsum 2

I do not come alone, installation, 2022

Lorem Ipsum 2

A WOMAN’S PLACE, exhibition view, Galerie Heike Strelow, Frankfurt/Main 2017

Shelter, coat (painted canvas), 2017, Body Politics V (Kiste), drawing, collage, 2016

Body Politics V (Kiste), drawing, collage, 2016

Body Politics III (investigations), I (manifestation) & II (Mädchen, nähend), collage, dessin, 2016

Body Politics I (manifestation), collage, dessin, 2016

Body Politics II (Mädchen, nähend), collage, dessin, 2016

Belsunce, Saint-Saëns, folding screen, dress, 2017

Belsunce, Saint-Saëns, folding screen, dress, detail, 2017

Don’t say she is not like that, series of drawings, 2011, Pèlerinage, drawing, 2017

Pèlerinage, drawing, 2017

exhibition view Galerie Heike Strelow, Frankfurt/Main

Reversion, drawing on mirror, 2025/2026

drawings and collages, exhibition view Galerie Heike Strelow, Frankfurt/Main

Arabic love story, drawing , collage, 2016

Covered, collage, 2017

MAKING LOVE TO UNKNOWN CITIES, printed overalls, trilangual edition, exhibition view, Triangle-Astérides, centre d’art contemporain, Marseille, Friche la Belle de Mai, 2022

Making love to unknown cities, performance Kunsthalle Mulhouse, 2018 (performers Flo*Souad Benaddi, Katrin Ströbel)

Making love to unknown cities, printed overalls (detail), dessins et conception Katrin Ströbel, realisation Dieter Ströbel

Making love to unknown cities, performance Kunsthalle Mulhouse, 2018 (performers Flo*Souad Benaddi, Katrin Ströbel)

Making love to unknown cities, performance at Triangle-Astérides, centre d’art contemporain, Marseille, 2022 (performers Diyae Bourhim, Katrin Ströbel)

Making love to unknown cities, performance Kunsthalle Mulhouse, 2018 (performers Flo*Souad Benaddi, Katrin Ströbel)

Making love to unknown cities, trilangual edition in French, German and Arabic, 2022